¿Cómo mirar lo (in)visible?: Museo del Virreinato "Centro Cultural el Atrio" SLP
Resumen
¿Cómo mirar lo (in)visible?, Museo del Virreinato 'Centro Cultural el Atrio' SLP

Del 13 de marzo al 10 de agosto de 2025

 

Ver no es un acto absoluto. Siempre hay algo que se revela y algo que se escapa a la mirada. Esta exposición reúne dibujos, pinturas, esculturas y fotografías de la colección de la Fundación Amparo y Manuel, obras que no se limitan a representar lo inmediato, sino que operan como fuerzas activas: son fluctuantes, inestables y en constante tensión.

 

¿Cómo mirar lo  (in)visible?

Fundación AMMA

Del 13 de marzo al 10 de agosto de 2025
#AMMA2025

 

Museo del Virreinato "Centro Cultural el Atrio" 

Villerias 115, Centro Historico, 78000

San Luis Potosí, S.L.P.

Exposición incluida en el boleto de acceso al museo

Martes a Sábado

10:00 a 19:00 horas.

Domingo

11:00 a 18:00 horas.

 

Obras
Open a larger version of the following image in a popup: Bert Stern, Marilyn Monroe behind a crucifix, from The Last Sitting for Vogue, 1962
Open a larger version of the following image in a popup: Xavier Veilhan, Laurence, 2017
Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
Open a larger version of the following image in a popup: Rose Wylie, I Like to Be, 2020
Open a larger version of the following image in a popup: Ania Hobson, Ania, 2016
Open a larger version of the following image in a popup: Genieve Figgis, Ladies at Versailles, 2022
Open a larger version of the following image in a popup: Andi Fischer, Ya ya narrenschiff, 2022
Open a larger version of the following image in a popup: Henri Cartier, Behind the gare St. Lazare, Paris, 1932
Open a larger version of the following image in a popup: Stanley Whitney, Untitled, 2016
Open a larger version of the following image in a popup: Grace Metzler, Sisters from different misters, 2022
Open a larger version of the following image in a popup: Hernan Bas, Three Vampires, 2020
Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
Open a larger version of the following image in a popup: David Hockney, Arrival of Spring in Woldgate, East Yorkshire in 2011 (plate 5), 2011
Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002
Open a larger version of the following image in a popup: Kent Iwemyr, Sommaren med Albert, 2020
Open a larger version of the following image in a popup: John Sonsini, David, Jose, Santiago, Lorenzo and Pedro, 2006
Open a larger version of the following image in a popup: Oscar Cueto, Diez malas criticas, 2006
Open a larger version of the following image in a popup: Oscar Cueto, 10 malas criticas , 2004
Open a larger version of the following image in a popup: David Shrigley, Untitled (Don't), 2013
Open a larger version of the following image in a popup: David Shrigley, Untitled (Kick the skull...), 2013
Open a larger version of the following image in a popup: David Shrigley, Untitled (Stop drawing...), 2013
Open a larger version of the following image in a popup: David Shrigley, Untitled (Vermin), 2013
Open a larger version of the following image in a popup: Klaas Rommelaere, Escape Route: in order to be successful one must project an image of success at all time, 2019
Open a larger version of the following image in a popup: Ulf Puder, Hafenbecken, 2014
Open a larger version of the following image in a popup: Zeh Palito, Your love is king, 2022
Open a larger version of the following image in a popup: Hans Scheib, Morgen (Tomorrow), 2009
Open a larger version of the following image in a popup: Michael Van Ofen, Officer (Offizier), 2008
Open a larger version of the following image in a popup: Michael Van Ofen, Toqueville (Head), 2008
Bert Stern, Marilyn Monroe behind a crucifix, from The Last Sitting for Vogue, 1962
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